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Showing posts from November, 2014

The MOJO CD - The Best Of 2014

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It's that time of year again when the "Best Of" lists start coming out. In order to give any band daft enough to release an album in December a chance, I always hold off until the Xmas holiday, but MOJO are there already with their picks of the year on January's cover CD.


Why do mags release issues in one month and call them by the month after next? Anyway...most of these are new to me, and here are my opinings:



1. Beck - Blue Moon (from Morning Phase, MOJO#1 album of 2014)
A typically lush and downbeat anthem from Beck's wonderful rise'n'shine album Morning Phase, which MOJO have as their album of the year. Do I agree? That would be letting the cat stick a tentative paw out of the bag now, wouldn't it?

2. Jack White - Lazaretto (Lazaretto/#4)
I quite like Jack White, the guy has a way with a choon and a dirty geetar. This noisy charge through White's garage rock workshop is enjoyable enough, and will certainly shake the dust off your shelves.

3.…

London (Jazz Festival) Calling

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Well, we have not long returned from a long weekend in "That There London" as it is now henceforth known to us mere yokels, or hicks, if you're on the other side of The Pond. The weekend came after another visit a few days earlier, and taken together we have now attended four events sponsored by the EFG London Jazz Festival in under a week.

This cultural extravaganza started on Tuesday 18th November with a gig by Snarky Puppy at the famous rock venue, the Chalk Farm Roundhouse. The actual raison d'etre of this particular soirée was to meet up with a handful of regulars from Pete's Nice Enough To Eat Facebook page, a place where several stoned hippies (and me) gather together in a cave and groove with...YouTube videos of psych and prog music past and present.

Pete I've met before, but it was great to put faces to "Dave Maximum Darkness", "Arv Lotus", and "Diane Sofer", which could well be her real name! :)
Also, a shout for Toby M…

The Wright Stuff...

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As this piece is only partly a discourse on the merits or otherwise of Pink Floyd's "new" waxing Endless River, I have avoided the usual "Band - Album Title" header.

Firstly, I have always been of the opinion that Pink Floyd were a) not a prog band as such, and b) stopped developing after Dark Side... came out. The Syd era will not be discussed here, it's another group effectively, anyway.

They tried being prog; the studio album of Ummagumma while it has its moments is largely forgettable, although it did give us one of the best track titles ever...you know what that is, I'm sure! Probably their most "prog" piece, Atom Heart Mother, was ok, but it cannot hold a candle to its peers of that era. Before you ask, Echoes is an enjoyable hark back to their own take on post-Syd space rock, and not prog in the slightest. Now, there is nothing wrong with not being prog, in fact many would say that's a bonus - me included, sometimes!

The post-Syd b…

The MOJO CD - November 2014

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Yep, it's another keeper in the MOJO cover CD series. It is no surprise that one of the best tracks on this compilation is a cover of a classic from the original psychedelic era. Having said that their are some other corkers on here too. Celebrating modern psych-rock in all its many guises, Brain Damage is the kind of glorious racket that can really only be played LOUD.

The psychedelic classic I refer to is Interstellar Overdrive, which, along with Astronomy Domine started the British version of acid rock in 1966. The tracks that make up Brain Damage all share some degree of inspiration from the freedom expressed in Syd's formative forays into lysergically propelled acid-rock expression.

Everyone knows the story behind Syd's primal descending riff that bookends Interstellar Overdrive, surely? No? OK then - Floyd's manager had an earworm going through his head, but he couldn't remember the title. So, he hummed the riff as he semi-remembered it to Syd who then played…