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Showing posts from November, 2015

The MOJO CD - 2015

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1. Courtney Barnett - Pedestrian At Best
First up, someone I've never heard of, old fart that I am. Ms Barnett chanels Elastica chaneling Wire. Enjoyable enough, with lots of punky pizzazz, unremarkable but for Courtney's declamatory vocals.

2. Sleater-Kinney - Bury Our Friends
So, this is what Sleater-Kinney sound like. From The Libertines school but less messy, just. Gets by on pure charm.

3. New Order - Restless
Like Sleater-Kinney, another band with a comeback album out this year. New Order had their moments for me, but quickly became formulaic. They now have a replacement doing a wan impersonation of Hooky, and it sounds like it always sounded like. All rather predicatable.

4. Songhoy Blues - Soubour
A great band from Mali, a place that seems to be the current centre for interesting African music. A beguiling mix of African blues, rock'n'roll and punky energy. Championed by Damon Albarn, the Blur frontman knows a good thing when he hears it, obviously.



5. Gaz Coo…

frostlake - White Moon, Black Moon

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Martin Archer's Sheffield-based Discus Records is a home for the wilfully strange, and the occasionally unfathomable, but with frostlake the label presents its most conventional face yet. frostlake - the lower case "f" is deliberate - is a mysterious pagan goddess who weaves hymns to winter spun from the crystalline mists of the dark months on her debut album White Moon, Black Moon. She is also a member of Discus acts Juxtavoices, and Orchestra Of The Upper Atmosphere, the former an enticing "anti-choir", the latter a magnificent improvising cosmic rock beast. On her solo album and left to its own devices her muse crafts delicate but dense psych-folk, in so doing highlighting her many and varied talents, showing that she is not content to be pigeonholed into one genre.

This introspective and beautiful album stirs into life with Black Winter swooping across the still land, a song sung from the perspective of a bird in flight, frostlake's picked guitar and ec…

Buzzcocks - The Roadmender, Northampton, 21st November 2015

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Sometimes it is a good idea to leave the serious stuff behind, cease being over-analytical, and simply let your hair down - purely metaphorically in my case, you understand - and have a good time. Such was my approach to an evening of arthritic rug-cutting at Northampton's primary scuzzy music venue last night. Well if truth be told The Roadmender is, and has been since the mid 1980s, Shoesville's only dedicated music venue outside of the pub circuit, a sad state of affairs for the third biggest town by population in the country.

Anyway, after a curry and later a pint of sublime ale by the name of Release The Chimps, me and my mate enter the hallowed dimly lit halls of said venue, to find it packed to its 300ish capacity. I was expecting the audience to be entirely populated by fifty-somethings putting out collective backs attempting to pogo, but thankfully I was wrong, as the crowd was a nice mix of ages right down to teens, who seemed to know all the hits. The sight of an o…

Ángel Ontalva - Tierra Quemada

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A mark of a good album is how much it resists being filed away in a neat little niche, and Tierra Quemada by Spanish guitarist Ángel Ontalva is defying my efforts in that direction very nicely indeed. You may know Ángel as the guitarist and leader of Spanish heavy eclectic prog band October Equus, but this album proves there is far more to this man than meets the ear on hearing his band's music, nicely angular and coruscating stuff as it may be. Indeed, anyone familiar with Ángel's work will know he likes to branch out.

Three consecutive releases show the highly varied and always interesting scope of Ángel's muse. 2012 saw the release of Mundo Flotante, his first solo album, and a thoroughly enjoyable and languid album it is, too. Then in 2013 we had two concurrent releases; Permafrost from October Equus, and its companion album Isla Purgatorio, which was something entirely different to the band's usual output and was released as October Equus Quartet, essentially the…

Baron - Torpor

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With their previous album, the rather upstanding Columns, Brighton post-everything-rockers Baron described themselves as playing "Neo-Monastic Byzantine Psych Art-Rock", and now they have moved on, adding vegetables and Germanic ambience into the mix, becoming purveyors of "Neo-Monastic Byzantine Pastoral-Kraut-Drone-Lettuce-Rock". A nifty little pigeon with asymmetric eyes fits in that odd-shaped hole, I'm sure.

Based in Brighton and employing some big fish from the small but highly talented pool of musicians that you will find cropping up in other bands based in that fair city, such as Diagonal, and Autumn Chorus, both of whom may or may not be currently in stasis, Baron are led by singer and guitarist Alex Crispin. Alex has a distinctive baritone croon that paints his songs of mysticism and pastoralism in a melancholic hue, aided and abetted by his favoured guitar sound, reverbed and echoing, swirling round in the wide open spaces afforded by the airy mix.