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Showing posts from February, 2016

N.y.X - The News

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Italian eclectic prog outfit N.y.X will rattle your jewellery and shake the dust off your ornaments with this splendid sprawling beast of an album, their second following on from their agitated debut, 2009's Down In The Shadows. Once again they have called on a stellar supporting cast to flesh out their already turbulent sound. Their sonic cup brims over, indeed!

As you may correctly surmise from the album and track titles, The News is a conceptual collection of songs transmitted via a fiery musical discourse, dissecting the everyday stresses of 21st century survival amid an unending stream of establishment control and media mainpulation. While a hardly unique premise, especially within the modern Progwelt, The News transmits edgy nervousness and twitchy paranoia with aplomb, both lyrically and musically. Groundhog Day... will intentionally set your teeth on edge before descending into exhausted calm in the denoument.

N.y.X display an obvious love of Crimsoid weirdness, a tune li…

A Warmer Welcome

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Many thanks to Colin Robinson of Jumble Hole Clough infamy, via whom I am made aware of this rather fine 110 - yes, that's One Hundred And Ten! - track compilation lovingly and meticulously put together by the obviously publicity-shy "Ruby & Lamorna" in aid of the Refugees Welcome collective, who provide much needed support, sustenance and shelter for the embarrassingly few refugees our dreadful government allow on to this sceptered isle. For a mere five of your English or Scottish pounds sterling, or more if you're feeling munificent, you can download this one third day-long journey into every kind of music, radical or not, that you would care to wave your cleft stick at.

There be folk, there be reggae, there be funk, there be skewed pop, heck, there's even some rock of the "post", "avant" and "space" varieties, and of course bucketloads of general wigginess, but mostly there be beats a-plenty to shake one's booty at to one…

The end of an ear...

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In the words of Neil from The Young Ones "I don't wanna bring you down, guys, but..."

As pop music becomes more and more easily accessible and by extension worthless and disposable, not to mention ever more homogenised, truly challenging popular music, as epitomised by David Bowie will become increasingly marginal until, for all practical purposes, it disappears completely. Pop will indeed eat itself. Those of us born between the early 1940s and the early 1960s, or the Baby Boomer generation as it is known, have been lucky to have become teenagers at varying points between the mid 1950s and the 1970s when pop culture, its music and everything that went with it formed the most important part of our leisure time.

When our Baby Boomer generation that provided the bands and their audiences die off, as it will at an alarming rate over the coming couple of decades, the era of music as the main driver for popular culture, mainstream or otherwise will fade away with us, and the s…