Friday, 10 May 2013
Bjorn J:son Lindh - Från Storstad Till Grodspad
Side Two is a collection of avant-pop vignettes that could well be snippets of incidental music for film and TV, and intriguing though it is, Music From A Big City is the only reason to get hold of this, if you can. If you can't here it is in all its glory on YouTube:
For further info, here's an English translation of the original LP liner notes:
"From Big City to Frog Sauce"
Liner notes by Lars Magnus Janson
To represent Swedish Radio in the international radio broadcast of the 1971 Prix Jean-Antoine Triumph Variete, a radio man, an actor and a musician were invited to depict reality through music.
The result was a large city. Based on authentic audio recordings of daily urban sounds in Stockholm, improvising musicians presented a vision of the modern metropolis. Cars, sirens, pile drivers, church bells mix into an inferno of music. From the treacherous calm of a city morning, these sounds eventually rise up to smother those sounds nature calls her own. This is a highly personal image of an environment to which millions of people are forced to adapt daily.
This personal image is signed Björn J:son Lindh.
Björn J:son Lindh, 27, has one of the most significant profiles in the modern Swedish music scene. His compositions and arrangements have contributed (among other achievements) to the success of Cornelis Vreeswijk's double LP Poems, ballads and a little blues. Lindh can also take a great deal of credit for the attention given to Bernt Staf's debut. Together with Hawkey Franzen, Lindh wrote and produced the LP View from Djupvik, and he has been one of the central figures in the celebrated group Jason's Fleece.
In the late Summer of 1971, Lindh (a flute soloist) released his debut solo album. Rarely has a pop-jazz record received as much acclaim as Ramadam.
Besides a large number of record productions, Lindh has also written music for TV and stage. He studied flute formally at the Royal Swedish Academy of Music, and is also trained as a pianist.
In addition to "Music from a Big City", which received Second Prize in the 1971 Triumph Variete in Monte Carlo (and which occupies one side of this LP), this album shows Björn J:son Lindh further testing his composition and performance skills. "From Big City to Frog Sauce" is proof of how strongly a seriously trained musician and composer with a strong dramatic personality can handle modern pop music, whilst creating work that shows music a way forward in the 1970's.
Music from a Big City (21'36)
Björn J:son Lindh: conductor, piano, organ, Moog and flute.
Jan Bandel, Ola Brunkert & Rune Carlsson: drums.
Palle Danielsson & Bengt Linnarsson: bass.
Kenny Håkansson, Anders Nordh & Jan Schaffer: guitar.
Mats Hagström: cello.
Members of the Swedish Radio Symphony Orchestra, conducted by Stig Westerberg.
Recorded in Studio 7, Radio House, Stockholm, March 22nd - April 1st 1971, and in the Musical Academy auditorium May 4th, 1971.
Music Technicians: Berndt Berndtson, Ola Kejving & Syive Sjöberg.
Production Team: Berndt Berndtson, Thomas Hellberg, Anders Henriksson, Lars Magnus Janson & Björn J: son Lindh.
Seven pop pieces
1. Tom Bohle 1971 (1'21)
2. Grytnäs swell (1'38)
3. Biezlov (1'46)
4. The dancing Wollmar (6'41)
5. In grodspadet (Lindh-Hawkey Franzen) (3'30)
6. Close the cover - she's freezing (3'46)
7. Tom Bohle 1972 (1'14)
Björn J:son Lindh: conductor, piano, organ.
Jan Bandel & Janne Carisson: drums.
Lucas Lindholm: electric bass.
Kenny Håkansson & Rune Gustafsson: electric guitar.
Hawkey Franzen: guitar, accordion.
Nisse Sandström: tenor saxophone.
Jörgen Johansson and Torqny Nilsson: trombone.
Bertil Lövgren & Beinth Gustavsson: trumpet.
Lars-Erik Rönn: oboe.
Bengt Olsson & Bengt Sundberg: horn.
Swedish Radio Symphony Orchestra String Section.
Karin Stig Mark, Göran Lagerberg, Anders Nordh & Hawkey Franzen: vocals.
Recorded in Studio 7, Radio House, Stockholm on 11th - 23rd June 1971.
Music Technician: Berndt Berndtson.
Production Team: Anders Henriksson & Björn J:son Lindh.
The Swedish Composers Performing Rights Society (STIM) contributed financially to the production of this disc.
Cover Design: Lasse Åberg.
Odd title for an annual music review, but them's the times. With these words I aim to provide you with an escape from the creeping madne...
Having a pop at major labels and their transparent remake-remodel stratagems in relation to their legacy artists, releasing mammoth box se...
...and now, following from The Interview , here's The Discography, in his own words, in chronological order, earliest first. Take it awa...
This album came out back in May, but up until a few weeks ago it was nigh on impossible to buy in any format. Originally released as vinyl...